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      <image:title>Video - Tomato Truths | Janielle Kastner &amp; Brigham Mosley | TEDxSMUWomen</image:title>
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      <image:title>Video - Tomato Truths | Janielle Kastner &amp; Brigham Mosley | TEDxSMUWomen</image:title>
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      <image:title>Video - elevator project middday news 03032020</image:title>
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      <image:title>Video - "Maybe We Kiss" from MTSBM: Practical Magic</image:title>
      <image:caption>Movies That Should Be Musicals: Practical Magic at the Ritz-Carlton, Dallas</image:caption>
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      <image:caption>Saint Brando at The New Museum, 2014</image:caption>
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      <image:caption>Dallas Observer cover Movies That Should Be Musicals</image:caption>
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      <image:title>Video - Scarlett Sample</image:title>
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      <image:title>Video - Oh Whatta Beautiful Mo[u]rnin'</image:title>
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      <image:title>Shows - Playwrights in the Newsroom</image:title>
      <image:caption>Playwrights in the Newsroom is an immersive, theatrical experience orchestrated by two playwrights who’ve spent hundreds of hours shadowing The Dallas Morning News. Playwrights Brigham Mosley and Janielle Kastner are fairly literate people (or so they thought) who, until recently, got their news from Buzzfeed and/or Twitter. When given the opportunity to immerse themselves in the newsroom at The Dallas Morning News to write a play about journalism, these fiction-writing story-embellishers are faced with a new mandate: seek the truth and report it. Their theatrical mission is simple: Figure out what journalism is, why it matters, who we trust to tell us What Happened, and also, along the way, maybe save democracy. No sweat! PITN in American Theatre Mag PITN in Dallas Morning News PITN in D Magazine PITN in Dallas Observer Photo by David Leeson</image:caption>
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      <image:title>Shows - Playwrights in the Newsroom</image:title>
      <image:caption>Playwrights in the Newsroom is an immersive, theatrical experience orchestrated by two playwrights who’ve spent hundreds of hours shadowing The Dallas Morning News. Playwrights Brigham Mosley and Janielle Kastner are fairly literate people (or so they thought) who, until recently, got their news from Buzzfeed and/or Twitter. When given the opportunity to immerse themselves in the newsroom at The Dallas Morning News to write a play about journalism, these fiction-writing story-embellishers are faced with a new mandate: seek the truth and report it. Their theatrical mission is simple: Figure out what journalism is, why it matters, who we trust to tell us What Happened, and also, along the way, maybe save democracy. No sweat! PITN in American Theatre Mag PITN in Dallas Morning News PITN in D Magazine PITN in Dallas Observer Photo by David Leeson</image:caption>
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      <image:title>Shows - Critical, Darling!</image:title>
      <image:caption>Dallas Morning News on Critical, Darling! “svelte six-footer with great-looking hairy legs” -Review by TheaterJones Gorge piece about this piece from The Daily Campus</image:caption>
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      <image:title>Shows - Movies That Should Be Musicals is TOTALLY CLUELESS!</image:title>
      <image:caption>Lurvely piece about the show by The Daily Campus.</image:caption>
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      <image:title>Shows - Movies That Should Be Musicals: My Best Friend's Wedding</image:title>
      <image:caption>Movies That Should Be Musicals: My Best Friend's Wedding at WaterTower Theatre.  March 03, 2018. Photo by Evan Michael Woods</image:caption>
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      <image:title>Shows - Movies That Should Be Musicals: Practical Magic</image:title>
      <image:caption>Movies That Should Be Musicals: Practical Magic at the Ritz Carlton Dallas.  October 23, 2017. Dallas Observer on MTSBM Photo by Zack Huggins</image:caption>
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      <image:title>Shows - Movies That Should Be Musicals: A League of Their Own</image:title>
      <image:caption>Movies That Should Be Musicals: Practical Magic at the Ritz Carlton Dallas.  April 12th, 2017.</image:caption>
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      <image:title>Shows - Scarlett O'Hara and the War on Tara</image:title>
      <image:caption>There’s simply no taking your eyes off of Mosley, who is never less than captivating.  This Tara Alert is of the highest level: Scarlett. -Mark Lowry, TheatreJones Interview with La MaMa   photo by Erik Carter</image:caption>
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      <image:title>Shows - Mo[u]rnin'. After.</image:title>
      <image:caption>Deeply felt, poetically written and beautifully constructed...If [Mosley's] other work is as strong as Mo[u]rnin’. After., which has the perfect amount of theatrical fringe on top, he's got a dream worth a keepin'. -Mark Lowry, TheaterJones To say he has a lot of panache would be an understatement...[A] beautiful curio—at once poetic, raw, and intimate...Mosley is yet a young man in the world of theatre but shows a talent and wisdom beyond his years.  -Clint May, Chicago Theater Beat Something deeply personal, moving and impossible not to identify with...a fast-blossoming performer whose insights into the intersection between loss and identity are worthy of an hour of anyone's time. -Steven Chaitman, Windy City Times The best of them is Mo[u]rnin’. After by Brigham Mosley. A memory piece about Mosley’s upbringing in rural Oklahoma where being a gay kid was nearly impossible, and his complex relationship with his grandfather (a man’s man whose death devastated Mosley), Mo[u]rnin’ incorporates a love of musical theater and glitter with a boundless energy that is both thrilling and exhausting to watch — Mosley really puts the “buoyant” in “flamboyant” … and the “flame” as well. (I’d never seen a man who could talk over himself until this.) It’s the must-see show of the fest. -Arnold Wayne Jones, Dallas Voice Mosley proves so instantly charming and at-ease he calls to mind another Dallas son, Michael Urie. -Lindsey Wilson, culturemap   photo by Erik Carter</image:caption>
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      <image:title>Shows - VULTURES</image:title>
      <image:caption>Imagine if the Rude Mechs had a love child with Taylor Mac (or Daniel Alexander Jones), and then named Young Jean Lee the godmother. You might find him crawling around Dallas theater today introducing himself as Brigham Mosley. Of course, you won't need to know the cultural lineage of Mosley's new play, Vultures, to recognize its magic. -Lauren Smart, Dallas Observer   photo by Scott Wayne McDaniel</image:caption>
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      <image:title>Shows - #basic</image:title>
      <image:caption>What could have easily been a play ripping apart a generation of young people — which at times it is — it also straddles a line and explores the fear in every young person’s mind of not having a lasting legacy. -Paige Skinner, Dallas Observer   photo by Culture Nugget</image:caption>
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      <image:title>Shows - Pretty, Smart, Poetic</image:title>
      <image:caption>This is a smart and beautifully rendered work of poetic theater.  Mosley creates a world where characters speak in verse, where the Kama Sutra or Annie Hall might fall from the sky (requisite guides to anyone's coming-of-age, I'd think).  Mosley understand[s] that the theater is a place to make magic, to pursue what might seem an impossible hope. Mosley is ultimately exploring what it means to shape a self that resists a parent's vision - how terrifying, yet liberating, that can be.  He understands too that, while risky, this resistance is something to celebrate. -Suzanne Scanlon, Time Out Chicago I was quite taken with Pretty, Smart, Poetic.  Odradek Theatre and playwright Brigham Mosley: both worth keeping your eye on. -Kris Vire, Theatre Editor, Time Out Chicago</image:caption>
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      <image:title>Shows - Playwrights in the Newsroom</image:title>
      <image:caption>Playwrights in the Newsroom is an immersive, theatrical experience orchestrated by two playwrights who’ve spent hundreds of hours shadowing The Dallas Morning News. Playwrights Brigham Mosley and Janielle Kastner are fairly literate people (or so they thought) who, until recently, got their news from Buzzfeed and/or Twitter. When given the opportunity to immerse themselves in the newsroom at The Dallas Morning News to write a play about journalism, these fiction-writing story-embellishers are faced with a new mandate: seek the truth and report it. Their theatrical mission is simple: Figure out what journalism is, why it matters, who we trust to tell us What Happened, and also, along the way, maybe save democracy. No sweat! PITN in American Theatre Mag PITN in Dallas Morning News PITN in D Magazine PITN in Dallas Observer Photo by David Leeson</image:caption>
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      <image:title>Shows - Critical, Darling!</image:title>
      <image:caption>Dallas Morning News on Critical, Darling! “svelte six-footer with great-looking hairy legs” -Review by TheaterJones Gorge piece about this piece from The Daily Campus</image:caption>
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      <image:title>Shows - Movies That Should Be Musicals: Clueless!</image:title>
      <image:caption>Lurvely piece about the show by The Daily Campus.</image:caption>
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      <image:title>Shows - Movies That Should Be Musicals: My Best Friend's Wedding!</image:title>
      <image:caption>Movies That Should Be Musicals: My Best Friend's Wedding at WaterTower Theatre. March 03, 2018. Photo by Evan Michael Woods</image:caption>
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      <image:title>Shows - Movies That Should Be Musicals: Practical Magic!</image:title>
      <image:caption>Movies That Should Be Musicals: Practical Magic at the Ritz Carlton Dallas. October 23, 2017. Dallas Observer on MTSBM Photo by Zack Huggins</image:caption>
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      <image:title>Shows - Movies That Should Be Musicals: A League of Their Own!</image:title>
      <image:caption>Movies That Should Be Musicals: Practical Magic at the Ritz Carlton Dallas. April 12th, 2017.</image:caption>
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      <image:title>Shows - Scarlett O'Hara and the War on Tara</image:title>
      <image:caption>There’s simply no taking your eyes off of Mosley, who is never less than captivating. This Tara Alert is of the highest level: Scarlett. -Mark Lowry, TheatreJones Interview with La MaMa photo by Erik Carter</image:caption>
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      <image:title>Shows - Mo[u]rnin'. After.</image:title>
      <image:caption>Deeply felt, poetically written and beautifully constructed...If [Mosley's] other work is as strong as Mo[u]rnin’. After., which has the perfect amount of theatrical fringe on top, he's got a dream worth a keepin'. -Mark Lowry, TheaterJones To say he has a lot of panache would be an understatement...[A] beautiful curio—at once poetic, raw, and intimate...Mosley is yet a young man in the world of theatre but shows a talent and wisdom beyond his years. -Clint May, Chicago Theater Beat Something deeply personal, moving and impossible not to identify with...a fast-blossoming performer whose insights into the intersection between loss and identity are worthy of an hour of anyone's time. -Steven Chaitman, Windy City Times The best of them is Mo[u]rnin’. After by Brigham Mosley. A memory piece about Mosley’s upbringing in rural Oklahoma where being a gay kid was nearly impossible, and his complex relationship with his grandfather (a man’s man whose death devastated Mosley), Mo[u]rnin’ incorporates a love of musical theater and glitter with a boundless energy that is both thrilling and exhausting to watch — Mosley really puts the “buoyant” in “flamboyant” … and the “flame” as well. (I’d never seen a man who could talk over himself until this.) It’s the must-see show of the fest. -Arnold Wayne Jones, Dallas Voice Mosley proves so instantly charming and at-ease he calls to mind another Dallas son, Michael Urie. -Lindsey Wilson, culturemap photo by Erik Carter</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/59971b7e49fc2b25db3c8bb7/1599671880504-L4LST6J50MKTVZT279KK/vultures+site.jpg</image:loc>
      <image:title>Shows - Vultures</image:title>
      <image:caption>Imagine if the Rude Mechs had a love child with Taylor Mac (or Daniel Alexander Jones), and then named Young Jean Lee the godmother. You might find him crawling around Dallas theater today introducing himself as Brigham Mosley. Of course, you won't need to know the cultural lineage of Mosley's new play, Vultures, to recognize its magic. -Lauren Smart, Dallas Observer photo by Scott Wayne McDaniel</image:caption>
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      <image:title>Shows - #basic</image:title>
      <image:caption>What could have easily been a play ripping apart a generation of young people — which at times it is — it also straddles a line and explores the fear in every young person’s mind of not having a lasting legacy. -Paige Skinner, Dallas Observer photo by Culture Nugget</image:caption>
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      <image:title>Shows - Pretty, Smart, Poetic</image:title>
      <image:caption>This is a smart and beautifully rendered work of poetic theater. Mosley creates a world where characters speak in verse, where the Kama Sutra or Annie Hall might fall from the sky (requisite guides to anyone's coming-of-age, I'd think). Mosley understand[s] that the theater is a place to make magic, to pursue what might seem an impossible hope. Mosley is ultimately exploring what it means to shape a self that resists a parent's vision - how terrifying, yet liberating, that can be. He understands too that, while risky, this resistance is something to celebrate. -Suzanne Scanlon, Time Out Chicago I was quite taken with Pretty, Smart, Poetic. Odradek Theatre and playwright Brigham Mosley: both worth keeping your eye on. -Kris Vire, Theatre Editor, Time Out Chicago</image:caption>
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    <loc>https://www.brigham-mosley.com/about-momentum</loc>
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    <lastmod>2025-05-12</lastmod>
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      <image:title>About</image:title>
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